![]() The movie benefited from solid writing by director Rowland V. I do know that I enjoyed "THE COUNT OF MONTE CRISTO" very much. Is it the best? It all depends on individual preference. Many critics have labeled this movie as the best adaptation of Dumas' novel. He also learns that Mercedes had married Mondego not long after his imprisonment. He hopes to avenge himself against those who had betrayed him – Danglars, Villefort, Mondego. ![]() They find the treasure that Faria had talked about and Edmond uses it to establish the persona of the Count of Monte Cristo. Dantès escapes from the prison and befriends a group of smugglers that include a thief named Jacopo. Faria educates Dantès and informs the latter a fabulous hidden treasure before he is killed in a cave-in. There, he meets a fellow prisoner, a priest and a former soldier in Napoleon's army named Abbé Faria. Thanks to the first mate Danglars, who is jealous of Dantès' rapid rise to captain an ambitious city magistrate named Raymond de Villefort, Jr., who wants to stem a possible family scandal, due to his father being identified as the man to whom Napoléon had written the letter and his best friend Fernand Mondego, who is in love with Dantès' fiancée, Mercedes de Rosas Dantès ends up on an island prison called Château d'If. Set between the last months of the Napoleonic Wars and the 1830s, "THE COUNT OF MONTE CRISTO" told the story of merchant sailor Edmond Dantès becomes a victim of French political machinations and personal jealousy after his dying captain Leclère, a supporter of the exiled Napoléon I, charges him to deliver a letter from the exiled former emperor to an unknown man in Marseilles. And since I happened to like Dumas' story so much, I decided to see how much I would like this older version. While reading a good number of articles about the movie versions of the novel, I came across numerous praises for the 1934 adaptation that starred Robert Donat. I have seen only two versions of Alexandre Dumas père's 1845 novel, "The Count of Monte Cristo" in my past - the 1975 television version with Richard Chamberlain and the 2002 Disney film with James Cavielzel. This works wells, for the most part, but sometimes dialogue becomes a monologue, and that can become tedious to read."THE COUNT OF MONTE CRISTO" (1934) Review This keeps the scene active and in front of the reader instead of a narrative summary. Instead of using a literary device like flashbacks, Dumas insists on using dialogue to explain the backstory. His history as a playwright is also evident in his use of dialogue. ![]() To that end, Dumas frequently collaborated with others to create realistic characters throughout the social strata of 19th century France. In The Count of Monte Cristo, there are innkeepers, government officials, political leaders, sailors, smugglers, priests, and nobles. Even within France, he does a great job of evoking a sense of place-Paris is different from Marseilles in the south. He vividly paints the differences between Italy and France. His travel writing is clearly evident in The Count of Monte Cristo's frequent country hopping. Some of his most iconic characters-Dantes and D'Artagnan, are outsiders.Īs for his deliberate practice, Dumas was an accomplished playwright and travel writer before he turned to fiction. His status as an outsider might have influenced his writing. His father was a famous Haitian-born French general. Yes, Alexandre Dumas- creator of The Three Musketeers, The Count of Monte Cristo, and The Man in the Iron Mask-was of Afro-Caribbean descent. Some people may be surprised to see Alexandre Dumas on my list of books highlighting writers of color. How'd He Do That? Author Highlight: Alexandre Dumas He is also a hypocrite, nearly killing his illegitimate son to save face. He is duty-bound to uphold justice, but he is entirely self-serving, sending Dantes to prison to avoid any connection with a political coup. One of the primary villains of the novel is the public prosecutor named Villefort (see what Dumas did there, the vill-ain is called Ville-fort). This irony adds humor to the dark narrative and a feeling of second-hand excitement as Edmond changes his various personas to suit his plans. He interacts with friends and foes in these disguises, with only his former fiancé ever recognizing him. During the events of the novels, Edmond Dantes disguises himself as several people: a priest, an Englishman, and a sailor/smuggler.
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